Friday, September 10, 2004

One Drop Film-- Califormia NewsReel

Much More coming on one-drop and color identification, but this film would be great to check out. I wouldn't want to see it until I'm at the end of this research period though.
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One Drop Rule explores a recurring and divisive issue in African American communities - skin color. Candid, sometimes painful, but also often funny, it picks up where California Newsreel's earlier release A Question of Color leaves off. The film inter-cuts intimate interviews with darker skinned African Americans, lighter skinned African Americans and inter-racial children of Black and white parents. In the process it investigates color consciousness, a sensitive topic within the Black community, with great tact and a clear commitment to healing divisions.The infamous "one drop rule" dictated that anyone would be considered Black if they had any African ancestry and was given legal saction in many states. One Drop Rule argues that, in practice, Blacks with more European features, lighter complexion and straighter hair, have been favored over those with a more African appearance. Interviewees testify that even today whites seem to feel more comfortable with and give preference to Blacks who more closely resemble themselves. Darker skinned African Americans recall being given baths in Tide in a vain attempt to lighten their skins. They were told to straighten their hair and stay out of the sun lest they become darker. They came to envy the lighter skinned blacks favored by the mass media, their community and themselves. At the same time, lighter skinned African Americans recount the hostility of some of their Black brothers and sisters who assumed they felt superior to them because of their complexion. They remember having to prove their blackness by speaking "Ebonics" and denying their middle class origins. Participants discuss the stresses of inter-racial dating in the face of pressure from family and friends. Many Black women resent black men who date white women as a reflection on all Black women. Conversely, black women who date white men face rejection from their boyfriend's family. The children of inter-racial marriages discuss being forced by others to chose between two cultural identities. They explain the added burden of not being readily accepted by either racial group. One Drop Rule asks what makes someone Black? Is it "one drop of blood?" A way of speaking and dressing? One woman says that being Black is really a matter of attitude, a world view, In the end One Drop Rule becomes an eloquent plea that, in the words of Martin Luther King, we judge each other "not by the color of our skin but the content of our character."

Sex & The City's IR Romance

‘Sex' offers interracial romance
By Lynn Elber - Associated Press Writer
Wednesday, August 20, 2003

Los Angeles — Miranda's new squeeze in "Sex and the City" is handsome, successful and charming. He's also black -- notable for a show that has been almost uniformly white in its casting.

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The series about four single New Yorkers is finally allowing the city's ethnic diversity a central role.
Blair Underwood, introduced in Sunday's episode, plays Dr. Robert Leeds, the New York Knicks team physician.
The series about four New Yorkers, starring Sarah Jessica Parker (who's also an executive producer), Kim Cattrall, Kristin Davis and Cynthia Nixon, is in its final season. (It's a divided year: 12 episodes are airing through Sept. 14, and then the series is to return in January 2004 with eight concluding episodes. Underwood is appearing through the end of the first batch.)
"We all of us, and no one more than Sarah Jessica, had lobbied for this for a long, long time," Nixon, who plays Miranda, said in an interview. "I'm a huge fan of the show, but if we had area in which we really could use improvement, it's certainly this one."

The comedy only lightly has brushed up against New York's diversity before.
Cattrall's character, bed-hopper Samantha, had a handful of flings with minorities and a romance with a Hispanic lesbian (Sonia Braga).
But the inner circle of friends and serious boyfriends remained steadfastly white. Like "Friends," another New York-set series, "Sex and the City" came under scrutiny for painting the town one color.

AP PhotoBlair Underwood, left, and Cynthia Nixon star in a scene from HBO's "Sex and the City" in this undated publicity photo. In the series, Nixon begins a romance with Underwood after he moves into her co-op building. The show airs at 8 p.m. Sundays on HB0, Sunflower Broadband Channel 400.

"It's about time"
Last season on "Friends," a black love interest (Aisha Tyler) was introduced in a story line that, like the "Sex and the City" plot featuring Underwood, ran for four episodes.
"I think Candace Bushnell, who wrote the original columns (on which ‘Sex and the City' was based), the world she writes about is extremely white," Nixon said. "And (series creator) Darren Star would say, ‘I know these people. I move in these circles. It's a very white circle."'
"That's an argument to be made," Nixon said. "But it is six years later now, and I think it's irresponsible. I think it's about time."
The storyline
Miranda, a single mother and lawyer who's been moping about lost chances with Steve, her child's father, meets Leeds when he moves into her building. She's on the co-op board that vets potential buyers.
Here's Nixon's take on the encounter: "There's a sense Miranda is trying to push him because, A, he's a great candidate, he's a doctor, he earns a lot of money, he's very personable; B, a little diversity would be nice; and C, she's trying to hide the third thing that she thinks he's utterly adorable and would love to have him in the building.

"She's masking her attraction to him in political correctness, which I think is funny."
Underwood has been a television groundbreaker before. In 2000, he starred in the CBS drama "City of Angels," a TV rarity with its predominantly black cast. The series was canceled because of low ratings.

Underwood expressed satisfaction with the colorblind story, which barely takes notice of the ethnic difference between his character and Miranda.
"It's a nonissue," he said. "I think that's more current in this day and age, when it's not a novelty to see interracial dating on television anymore."

One Human Race -- the "answer" to racism

Interracial Discussions from Shades of Love, Black Rela. Mag.

Mixed Race Manifesto

Essay
Bill of Rightsfor Racially Mixed PeopleBy Maria P.P. Root


I HAVE THE RIGHT...Not to justify my existence in this world.Not to keep the races separate within me.Not to be responsible for people's discomfort with my physical ambiguity.Not to justify my ethnic legitimacy.
I HAVE THE RIGHT...To identify myself differently than strangers expect me to identify.To identify myself differently from how my parents identify me.To identify myself differently from my brothers and sisters.To identify myself differently in different situations.
I HAVE THE RIGHT...To create a vocabulary to communicate about being multiracial.To change my identity over my lifetime -- and more than once.To have loyalties and identification with more than one group of people.To freely choose whom I befriend and love.

Maria P. P. Root, PhD, is author of"The Multiracial Experience: Racial Borders as the New Frontier"which you can purchase through Interracial Voice and Amazon.com.
Also read Jana Wright's review of "The Multiracial Experience..."


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